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From one of our most acclaimed contemporary writers, an urgent and essential collection of poems illuminating the visionary presence of Palestinians. Fady Joudah's powerful sixth collection of poems opens with, "I am unfinished business," articulating the ongoing pathos of the Palestinian people.
A rendering of Joudah's survivance, [...] speaks to Palestine's daily and historic erasure and insists on presence inside and outside the ancestral land. Responding to the unspeakable in real time, Joudah offers multiple ways of seeing the world through a Palestinian lens--a world filled with ordinary desires, no matter how grand or tragic the details may be--and asks their reader to be changed by them. The sequences are meditations on a carousel: the past returns as the future is foretold. But "Repetition won't guarantee wisdom," Joudah writes, demanding that we resuscitate language "before [our] wisdom is an echo."
These poems of urgency and care sing powerfully through a combination of intimate clarity and great dilations of scale, sending the reader on heartrending spins through echelons of time. [...] is a wonder. Joudah reminds us "Wonder belongs to all."
Fady Joudah is the author of […]. He has also published six collections of poems: The Earth in the Attic; Alight; Textu, a book-long sequence of short poems whose meter is based on cellphone character count; Footnotes in the Order of Disappearance; and Tethered to Stars. He has translated several collections of poetry from the Arabic and is the co-editor and co-founder of the Etel Adnan Poetry Prize. He was a winner of the Yale Series of Younger Poets competition in 2007 and has received the Jackson Poetry Prize, a PEN award, a Banipal/Times Literary Supplement prize from the UK, the Griffin Poetry Prize, a Guggenheim Fellowship, and the Arab American Book Award. He lives in Houston, with his wife and kids, where he practices internal medicine.
“Within [...] pages, the poet’s voice travels across centuries and continents, historicizing the fate of the Palestinian people while illuminating the bewilderment, eros, and spirituality of everyday life. Joudah’s integrity and craftsmanship elasticize the boundaries of the lyric and embrace a reckoning with colonial violence. But these glimmering, layered poems defy easy categorization, even as they brim with the wisdom we inherit from the dead.”
-Aria Aber, Yale Review
