From a co-creator of the Emmy-nominated web series Brown Girls comes an imaginative, soulful debut poetry that collection captures the experiences of being a young Pakistani Muslim woman in contemporary America. Orphaned as a child, Fatimah Asghar grapples with coming of age and navigating questions of sexuality and race without the guidance of a mother or father.

These poems at once bear anguish, joy, vulnerability, and compassion, while also exploring the many facets of violence: how it persists within us, how it is inherited across generations, and how it manifests itself in our relationships. In experimental forms and language both lyrical and raw, Asghar seamlessly braids together marginalized people's histories with her own understanding of identity, place, and belonging.

Purchase If They Come For Us here. All proceeds go to Mohammed’s family.

“An outstanding collection of poetry…wonderful play with form…These poems cover so much—identity, loss, brown girlhood, the complicated bonds of family, what home is when home is torn apart. Much to admire here. [I] will be thinking about these poems for a long time to come.”
-Roxane Gay

“In forms both traditional…and unorthodox…Asghar interrogates divisions along lines of nationality, age, and gender, illuminating the forces by which identity is fixed or flexible. Most vivid and revelatory are pieces such as ‘Boy,’ whose perspicacious turns and irreverent idiom conjure the rich, jagged textures of a childhood shadowed by loss.”
-The New Yorker

“Every age has its poets who spring-load every line with the personal and political so that you know what it was to be fully alive in that time and place—or torn from it. Asghar provides this anguished specificity in her debut poetry collection, a meditation on identity, dislocation, and loss…Taut lines, vivid language, and searing images range cover to cover... Inventive, sad, gripping, and beautiful.”
-Library Journal (starred review)

“In this awe-inspiring debut, Asghar, writer of the Emmy-nominated web series ‘Brown Girls,’ explores the painful, sometimes psychologically debilitating journey of establishing her identity as a queer brown woman within the confines of white America…Honest, personal, and intimate without being insular or myopic, Asghar’s collection reveals a sense of strength and hope found in identity and cultural history.’”
-Publishers Weekly (starred review)